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Jean Honore Fragonard Louis XIV and Moliere oil painting


Louis XIV and Moliere
Painting ID::  1443
Jean Honore Fragonard
Louis XIV and Moliere
1863 Catalogue #138 42 x 75 cm (16.5 x 29.5 inches)

   
   
     

Jean Honore Fragonard Fantastic Figure Portrait of the Abbe de Saint-Non (mk05) oil painting


Fantastic Figure Portrait of the Abbe de Saint-Non (mk05)
Painting ID::  20733
Jean Honore Fragonard
Fantastic Figure Portrait of the Abbe de Saint-Non (mk05)
Canvas 31 1/2 x 25 1/2''(80 x 65 cm)Bequest of Dr.Louis La Caze 1869 M.I

   
   
     

Jean Honore Fragonard A Study (mk05) oil painting


A Study (mk05)
Painting ID::  20734
Jean Honore Fragonard
A Study (mk05)
Canvas 32 1/4 x 26''(82 x 66 cm)Bequest of Dr Louis La Caze 1869 M.I 1958

   
   
     

Jean Honore Fragonard Portrait of Diderot (mk05) oil painting


Portrait of Diderot (mk05)
Painting ID::  20735
Jean Honore Fragonard
Portrait of Diderot (mk05)
Canvas 40 x 25 1/2''(82 x 65 cm)Presented in lieu of death duties 1972 R.F

   
   
     

Jean Honore Fragonard Marie-Madeleine Guimard Dancer (mk05) oil painting


Marie-Madeleine Guimard Dancer (mk05)
Painting ID::  20736
Jean Honore Fragonard
Marie-Madeleine Guimard Dancer (mk05)
Ca 1769 Canvas 31 1/4 x 25 1/2''(82 x 65 cm)Presented in lieu of death duties 1974 R.F 1974 R.F

   
   
     

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     Jean Honore Fragonard
     1732-1806 French Jean Honore Fragonard Locations French painter. He studied with François Boucher in Paris c. 1749. He subsequently won a Prix de Rome, and while in Italy (1756 ?C 61) he traveled extensively and executed many sketches of the countryside, especially the gardens at the Villa d Este at Tivoli, and developed a great admiration for the work of Giovanni Battista Tiepolo. In 1765 his large historical painting Coresus Sacrifices Himself to Save Callirhoë was purchased for Louis XV and won Fragonard election to the French Royal Academy. He soon abandoned this style to concentrate on landscapes in the manner of Jacob van Ruisdael, portraits, and the decorative, erotic outdoor party scenes for which he became famous (e.g., The Swing, c. 1766). The gentle hedonism of such party scenes epitomized the Rococo style. Although the greater part of his active life was passed during the Neoclassical period, he continued to paint in a Rococo idiom until shortly before the French Revolution, when he lost his patrons and livelihood.

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     | Francois Stroobant | Steven van Herwijck | Juan Gris |


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